Without detail apart from a hint of perspective and two oblongs, this colour spectrum explodes into the architecturally sound corner of a room. Are the oblongs pictures or windows you may ask, whichever, they are aids to constructing a real dialogue of a built environment.

Iconic image Number One: the Da Vinci painting has been with us since birth and is so recognisable that even this soft focus and widened version with dramatic colour shift still emanates the picture we have in our minds that Leonardo spent years in perfecting

The effect of soft focus gives the viewer an uncanny real-time feeling of floating, the blue haze with no real edge efferveces the icon so its apparentness is not quite defined by the mind and can hallucinate movement

Flinders Street Railway Station in Melbourne is the foundation of this image: taking a photo of its facade in the morning with full sunlight and with a bluebird background, the distortion of shape and colour to its primal screaming via the digital manipulation of colour enhancement, blurring and torture, evokes a wonderful serene pastoral scene of a hilltop basked in the glory of spring green

Painting with light - hand held camera and drawing with long exposure

Dancing with light and exageration of base colour

Dancing with light in a darkened room, pushing the colour embedded in the image to an extreme.

A boiling mass of primeval matter coalescing into galaxy formats, one small detail of an unimaginable vastness.

Here we take The Room into the architectural classroom where teacher explains in plain visual language the source of our concerns and dynamism.